Everything about Gang Of Four Band totally explained
Gang of Four are an
English post-punk group from
Leeds. Original personnel were singer
Jon King, guitarist
Andy Gill, bass guitarist
Dave Allen and drummer
Hugo Burnham. They were fully active from 1977 to 1984, and then re-emerged twice in the 1990s with King and Gill. In 2004, the original line-up reunited and stayed together until 2008.
They play a stripped-down mix of
punk rock, with strong elements of
funk music, minimalism and
dub reggae and an emphasis on the social and political ills in society. Gang of Four's later albums (
Songs of the Free and Hard) found them softening some of their more jarring qualities, and drifting towards dance-funk and disco. Their debut album, Entertainment!, ranked at #490 in Rolling Stone's
The 500 Greatest Albums of All Time. David Fricke in Rolling Stone 1980 said "Gang of Four are probably the best politically motivated dance band in rock & roll."
History
Gill and King, the creative forces in the band, brought together an eclectic array of influences, ranging from the
neo-Marxist Frankfurt School of social criticism to the increasingly clear trans-Atlantic
punk consensus. In fact the term "
Gang of Four" refers to the "big four"
Structuralist theorists:
Claude Lévi-Strauss,
Michel Foucault,
Roland Barthes, and
Jacques Lacan, not to be confused with the
Maoist Gang of Four in China.
Their musical work was heavily influenced by a university-funded trip to
New York, where they saw
Television and the
Ramones at
CBGB.
Gill's unique guitar sound had a forebear in the playing of
Wilko Johnson, the frenetic guitarist with archetypal British pub rockers
Dr. Feelgood. Gill's skeletal, staccato, aggressive guitar has proved an enduring influence in turn. Jon King's threatening on-stage dancing, while equally idiosyncratic, has proved less easy to imitate. Paul Morley described the band's music as "a kind of demented funk, incredibly white but also, because of political commitment and defiant sloganeering, very dark, and ultimately as close to the depraved edge of the blues and Hendrix." Critic
Greil Marcus found his first viewing of the group's performance so shattering that he left after their set rather than risk having the impact of the deeply political Gang of Four's songs dampened by the pop-punk of
Buzzcocks.
The Gang's debut single, "Damaged Goods" b/w "Love Like Anthrax" and "Armalite Rifle", was recorded in June 1978 and released on 10 December 1978, on
Edinburgh's
Fast Product label. It was produced by the Gang and the Fast Product honchos Bob Last and Tim Inman. It was a #1
indie chart hit and
John Peel radio show favourite. This led to two outstanding Peel radio sessions, which, with their incendiary live performances, propelled the band to international attention and sold-out shows across Europe and North America. They were then signed by
EMI records. The group's debut single with this label, "At Home He's a Tourist", charted in the British
Top 40 in 1979. Invited to appear on top rated
BBC music program
Top of the Pops, the band walked off the show when the BBC told them that they must sing "packets" instead of "rubbers" as per the lyrics of the song, as the original was too subversive for this TV slot. The single was then banned by BBC Radio and TV, which lost the band support at EMI, who began to push another band,
Duran Duran, instead. A later single, "I Love a Man in Uniform", was banned by the BBC during the
Falklands war in 1982.
Critic Stewart Mason has called "Love Like Anthrax" not only the group's "most notorious song" but also "one of the most unique and interesting songs of its time".
(External Link
) It's also a good example of Gang of Four's social perspective: after a minute-long,
droning,
feedback-laced guitar intro, the
rhythm section sets up a funky, churning beat, and the guitar drops out entirely. In one stereo channel, King sings a "post-punk anti-
love song",
(External Link
) comparing himself to a
beetle trapped on its back ("and there's no way for me to get up") and equating
love with "a case of
anthrax, and that's some thing I don't want to catch." Meanwhile, in the other stereo channel (and slightly less prominent in the mix), Gill reads a
deadpan monograph about public perception of love and the prevalence of love songs in
popular music: "Love crops up quite a lot as something to sing about, 'cause most groups make most of their songs about falling in love, or how happy they're to be in love, and you occasionally wonder why these groups do sing about it all the time." The simultaneous vocals are rather disorienting, especially when Gill pauses in his examination of love songs to echo a few of King's sung lines.
According to critic
Paul Morley, "The Gang spliced the ferocious precision of Dr. Feelgood's working-class blues with the testing avant-garde intrigue of
Henry Cow. Wilfully avoiding structural obviousness, melodic prettiness and harmonic corniness, the Gang's music was studded with awkward holes and sharp corners."
In 1981 the band released their second LP, "Solid Gold". Like Entertainment! the album was uncompromising, spare, and analytical; such songs as "Cheeseburger," "He'd Send in the Army," and "In the Ditch" exposed the paradoxes of warfare, work, and leisure. Van Goss, in a Village Voice review said: "Gang of Four embody a new category in pop, which illuminates all the others, because the motor of their aesthetic isn't a 'personal creative vision.'
A troubled American tour saw the departure of Allen (who later co-founded
Shriekback, Low Pop Suicide and The Elastic Purejoy); he was replaced briefly by Busta "Cherry" Jones, a sometime player with Parliament and Talking Heads. He left to work with the Rolling Stones and was replaced by
Sara Lee, who was Robert Fripp's bassist in "The League Of Gentlemen". Lee was as good a singer as bassist, and she helped give the band's third studio album,"Songs of the Free", a more accessible quality. Although "I Love a Man in Uniform" from the album was the band's most radio-friendly song, it was banned in the UK shortly after its release because Britain was at war in the Falklands Islands. Lee later joined
The B-52's. A year later Burnham left the band after the release of
Songs of the Free.
1986 saw the release of The Peel Sessions Album, a collection of rawly rendered material recorded from 1971 to 1981 for British radio. Melody Maker dubbed the album "a perfect and classic nostalgia trip into the world of gaunt cynicism."
Like the
Velvet Underground before them, the influence of Gang of Four on later musicians is far greater than their original record sales might suggest. Their angular, slashing attack and liberal use of
dissonance had a significant influence on their
post-punk contemporaries in the States. Gang of Four went on to influence a number of successful funk-tinged alternative rock acts throughout the 80s and 90s, although few of their followers were as arty or political.
Flea of the
Red Hot Chili Peppers has stated that Gang of Four were the single most important influence on his band's early music. Andy Kellman, writing in
Allmusic, has even argued that Gang of Four's "germs of influence" can be found in many
rap metal groups "not in touch with their ancestry enough to realize it".
While many musicians have been inspired by the band's groundbreaking punk-funk musical style, they've rarely emulated the
Situationist-inspired socio-political observations in Jon King's lyrics.
Recently the band has enjoyed a resurgence in popularity, initially due to emergence of new post-punk-influenced bands such as
The Rapture,
Liars and
Radio 4, and then the rise of
Franz Ferdinand and
Bloc Party, which led to the renewed patronage of the
NME. The original Burnham/Allen/Gill/King lineup reformed in November 2004. In October 2005, Gang of Four released a new disc featuring new recordings of songs from the albums
Entertainment!,
Solid Gold and
Songs of the Free entitled
Return the Gift, along with an album's worth of remixes.
Gang of Four plan to release a new album this year; it'll be their first new material in over fifteen years. However, this material won't feature the original rhythm section - on May 6, 2008, Dave Allen announced via his blog that he and Burnham had left the band. They are pursuing other interests and unable to focus solely on Gang of Four.
Discography
Studio Albums
- Entertainment! (EMI, 1979) - UK #45
- Solid Gold (Warner Bros., 1981) – POP #190, UK #52
- Songs of the Free (Warner Bros., 1982) – POP #175, UK #61
- Hard (Warner Bros., 1983) – POP #168
- At the Palace [live] (Mercury, 1984)
- Mall (Polydor, 1991)
- Shrinkwrapped (Castle, 1995)
- Return the Gift [classicsongs re-recorded] (V2, 2005)
Compilations
A Brief History of the Twentieth Century (Warner Bros., 1990)
Peel Sessions (Dutch East India, 1990)
Solid Gold [expanded,live] (Warner Bros., 1995)
100 Flowers Bloom (Rhino, 1998)
Hard/Solid Gold (Wounded Bird, 2003)
EPs
Untitled 4-track "Yellow" (EMI, 1980)
Another Day/Another Dollar (Warner Bros., 1982) – Billboard Pop #195
The Peel Sessions (Strange Fruit, 1986)
Tattoo (Castle, 1995)
Singles
| Year |
Title |
Chart positions |
Album |
| US Modern Rock |
Billboard Club Play |
UK Singles Chart |
| 1978 |
"Damaged Goods" |
- |
- |
- |
- |
| 1979 |
"At Home He's A Tourist" |
- |
- |
58 |
Entertainment! |
| 1979 |
"Damaged Goods"/"I Found That Essence Rare" |
- |
39 |
- |
Entertainment! |
| 1981 |
"What We All Want" |
- |
30 |
- |
Solid Gold |
| 1982 |
"To Hell With Poverty!" |
- |
38 |
- |
Another Day/Another Dollar |
| 1982 |
"I Love A Man In Uniform" |
- |
27 |
65 |
Songs of the Free |
| 1983 |
"Is it Love?" |
- |
9 |
88 |
Hard |
| 1990 |
"To Hell With Poverty!" |
- |
- |
100 |
A Brief History of the Twentieth Century |
| 1991 |
"Don't Fix What Ain't Broke" |
14 |
- |
- |
Mall |
| 1991 |
"Satellite" |
- |
- |
- |
Mall |
Music samples
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